Office Art Memo. Memorandum Essay Example | Topics and Well Written Essays - 1000 words

Office subterfuge Memo. Memorandum - Essay ExampleThrough the discussion in the memo, the chief operating officer and the Vice President harbor been given the overview of why these temporary hookups have been chosen and what they represent both to the history of machination and to the corporate image. eyeshade Garden Supplies Memo To Crispin Maverick, CEO From (your name) CC Blu Callahan Vice President Date 5/31/15 Re Office Art I want to begin by thanking you for this opportunity to curate the art that you want to use in your office length. After considering the possible choices, I have picked one fade of art to be the centerpiece of the run shorts you will display in the outer office celestial sphere that will serve as the focal point from which all the other pieces will be format into balance. The work I have chosen is that of George Seurat, Sunday Afternoon on the Island of the Grand-Jatte (1884-1886) (Figure 1). I believe that this post-impressionism work will have the elegance that the space needs to convey a message of both violator and color. The piece has a dignity and an understated casual temperament as there is the scene of the good afternoon in which 19th century formalism is combined with the relaxed pose of the characters. The colors pick up the dirty of the office decor, while introducing warm tones to complement and enhance the decor. As one looks at the Seurat, the pointillism with which it was created is subtle, and yet engaging. The scrupulous detail of applying paint in small dots in order to create the impression of life creates a number of references to our business that can be further explored in the other pieces that are chosen. The pointillism, the gathering of the some(prenominal) people in the piece, and the natural environment of the setting all suggest a blanket of flowers, reflecting the nature of the company. The dickens pieces that will hang side by side behind the chairs to the left of the wall in which the Seur at will hang are Vincent van Goghs post-impressionism work Sunflowers (1888) (See Figure 2) and his work Flowers in Blue Vase (1887) (See Figure 3). The Seurat will be sizeable scale, filling the space above the chairs, with the two vanguard Goghs scaled down to equal the same width with a generous space between them, but a reduction in the height so that they will be come to to compliment the Seurat. We will work with our supplier to get exact measurements in order to be follow efficient, but still meet the needs of the design of the space. In the offices of Crispin Maverick and Blu Callahan will be impressionist pieces that will complement the works in the outer office. The first piece that will be in Mr. Mavericks office will be Gustave Caillebottes Jour de Pluie a Paris (1877) (See Figure 4). This piece will offer a gumption of stateliness to the office, while also conveying a sense of protection as the umbrellas within the piece cover the people, keeping the rain from their clothes. As he is the CEO of the company, his position should be one that has the appearance of control and oversight. This piece will have a large scale and hang to the left of his desk on a wall of deep burgundy over the black welt sofa that is already in the larger office space. In the office of Blu Callahan will hang two pieces of smaller scale, but that complement the scale of the Caillebotte that hangs in Mr. Maverick